Current Projects and Links

HIGH-M (Human Interaction assessment and Generative segmentation in Health and Music), HTA-Promotionsprojekt 2021-2024 in Kooperation mit dem KI-Netzwerk Künstliche Kreativität und musikalische Interaktion der Hochschule für Musik Nürnberg mit der FHWS und weiteren Partnern, internationale Kooperation mit Universität Jyväskylä und Cambridge Institute for Music Therapy Research

Publications and Talks

03/2025 Vobig, B. (2025). A Computational Approach to Interaction Type Analysis of Music Therapy Improvisations. Music & Science, 8. doi.org/10.1177/20592043251329233

10/2024 Presentation "From Assessment Profile to Process Assessment. Challenges in Automating Music Therapy Analysis" at Second international conference on computational and cognitive musicology (CCCM2024 / 17-18 October 2024), organised by IMS Study Group and Music information Computing Group, Universität Utrecht, Netherlands.

07/2024 Poster "A Computational Approach to Interaction Type Analysis of Music Therapy Improvisations" at 7. Netzwerktreffen des BayWISS Verbundkollegs Gesundheit (July 4th, 2024), Ostbayrische Technische Hochschule Regensburg.

06/2024 Presentation "Zum Prototypen eines Tools zur automatisierten Analyse von Interaktionstypen in musiktherapeutischen Improvisationen" at Treffen des Arbeitskreises Digitale Medien in der Musiktherapie (June 11th, 2024), organised by Arbeitskreis Digitale Medien in der Musiktherapie (Dr. Markus Sommerer & Prof. Dr. Josephine Geipel), Universität Augsburg.

04/2024 Presentation "A Computational Approach to Interaction Type Analysis of Clinical Improvisations. From Assessment Profile to Process Assessment" at International Conference on Improvisation in Music Therapy (ICIMT) (April 12th, 2024), organised by research group music therapy, LUCA School of Arts, ​in cooperation with the Belgian Association for music therapists (BMT) and UPC KU Leuven in Leuven, Belgium. 

01/2024 Presentation “Theroetical Components and Models for Music Interaction Assessment of Clinical Improvisations in the HIGH-M project” at Doktorandenkolloqium des Centre of Excellence in Music, Mind, Body and Brain (18. Januar 2024), University Jyväskylä, Finnland 

06/2023 Presentation "HIGH-M. Human Interaction assessment and Generative segmentation in Health and Music" at MIRAGE-Symposium #2: Music, emotions, analysis, therapy ... and computer (June 9th, 2023), organised by MIRAGE (A Comprehensive AI-Based System for Advanced Music Analysis) and RITMO (Centre for Interdisciplinary Studies in Rhythm, Time and Motion) at University of Oslo, Norway. 

11/2020 Presentation "Argumentative Strategien im analytischen Umgang mit Skizzen. Am Beispiel von Analysen von Allen Forte und Richard Taruskin zu Igor Strawinskys Le Sacre du Printemps" at Kontrapunktwerkstatt XVI (November 6th, 2020), organised by the Institute for Music Research at University of Würzburg (JMU). 

06/2019 Presentation "Die Konnotation des 'Horns' in der Romantik. zu einfache Antworten auf zu komplizierte Fragen?" at Mozartlabor 2019: "Mozart, ein Romantiker?" (11. Juni 2019), Section Musicology, organised by Mozartfest Würzburg. 

06/2018 Presentation "Der 'pärtige' Klang. Oder: Wieso Pärt nicht nach Mozart klingt" at MozartLabor 2018: "Aufklärung, Klärung, Verklärung" (12. Juni 2018), Section Musicology, organised by Mozartfest Würzburg.

Vita

Since 10/2023

Research Associate at University of Music Nuremberg - Music Theory/Musicology Department. 

Since 12/2022 

Research Associate at Technical University of Applied Sciences Würzburg Schweinfurt, Institute for Applied Social Sciences (Fachbereich Gesundheit - Musiktherapie). HTA-Project HIGH-M. 

10/2021 - 09/2023 

Lecturer at the University of Würzburg (JMU), Institute for Music Research. Courses about Computational Musicology, Music Theory and Analysis and HipHop Studies. 

09/2021 

Degree of Master of Arts in Musicology at University of Würzburg (JMU), Institute for Music Research. (Thesis "'Authentizität' in Popmusik. Definitorische Bestimmung eines gegenwärtigen Pop-Phänomens vor dem Hintergrund transdisziplinärer Fachliteratur")

03/2019 

Degree of Bachelor of Arts in Musicology at University of Würzburg (JMU), Institute for Music Research. (Thesis "Igor Stravinskys 'Sacre du Printemps' im Spannungsfeld Set-theoretischer und historischer Zugangsweisen")